The
history of photography in Iran runs parallel to that of the world.
As early as 1842, in other words three years after the official
entry of the daguerreotype camera on to the European stage, the
camera had found its way into the palaces of the ruling Qajar
monarchs (1799-1925). What followed was dictated by socio-historical
factors and gave the gradual democratization of photography within
the country a truly Iranian character. What is unique about Iranian
photo-history, in comparison to many other recipient cultures
of the Middle East and Southwest Asia, is that the proponents
and practitioners of photography in Iran from the very early days
have been overwhelmingly Iranian.
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The Tehran Municipality accepted the proposal
and the museum was named
Akskhan-e yi Shahr (The City House of Photographs). Having
identified a derelict building in the corner of a park in
the 7th municipality district, we chose to supervise its
renovation in order to house the museum.
Akskhan-e yi Shahr was inaugurated in
April 1996 with a generous grant from the city municipality
enabling us to purchase the seed collections and launch
the museum.
Following our plans of taking the
museum to the people, an old double-deck bus was purchased
from the city bus services and redesigned to house a mobile
photo-museum. The bus began circulating the city schools
in April1997.
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The Cultural Research Bureau carried out the management of this
photo-history complex for the first year. It is now run by the Culture
and Art Department of the Tehran Municipality.
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